Cinematography
Branded, fashion, event-aerial. We move with the brief — solo pilot, visual observer, sometimes alongside your director. RAW deliverables. Slate-syncable when the production calls for it.
Cinelifter · FPVPlates Nº 01–04 · MMXVIII–MMXXVI
The studio
We fly six rigs out of Santa Fe — sub-250 for tight interiors and doorways, a ducted cinewhoop for cinema near people, a custom 5-inch FPV with a single-axis gimbal for chase and slipstream, the AOS 8-inch cinelifter — a dual-cam “mini Inspire” running an action cam up front and an O4 in the rear for 4K, the Sicario (a 7-inch 8x cinelifter) for the Z Cam, RED Komodo, and FX3 when the brief calls for Netflix-approved bodies, and a DJI Mavic 3 Pro for traditional aerial cinematography. Every shoot is briefed, weather-windowed. We don’t fly the rig that’s available. We fly the rig that the shot needs.
Briefed, scouted, weather-windowed. NDA available on request.
Branded, fashion, event-aerial. We move with the brief — solo pilot, visual observer, sometimes alongside your director. RAW deliverables. Slate-syncable when the production calls for it.
Cinelifter · FPVHigh-end residential, resort, and hospitality listings. Quiet sub-250g passes, exterior reveal sequences, twilight runs. RAW footage delivered to your editor. Edit packages available as a separate brief.
Sub-250gPhotogrammetry, NeRF, Gaussian splat. Site, structure, terrain. Deliverables in OBJ, USDZ, GLB, point cloud, and orbit-ready video. Hand-off to your CAD or render pipeline.
Photogrammetry · NeRF · SplatFilms generated, not shot. Treatment, place bible, locked shot script, keyframes graded before motion, one shot re-rolled until the camera does what the script says. 4K conform on our own render plant. First film filed: RAIN.
Story · Stills · Motion · 4K§ 05 — Brief · Intake
Send us the shape of the project. We’ll come back inside two business days with a rig list, a crew, and a number.